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Twin Peaks

This medieval village, according to the country more 'least populated of the inhabited region of England, not' hardly a metropolis.
I feel a bit 'in Twin Peaks, a kind of Twin Peaks: remove the trees, put a bit' of sheep, some planes' mountain and seeding lawns, take out the lumberjack shirts and robes of purple, the grandmothers, the students in ties and girls with plaid skirts BIAC and black street clothes eighties, put boots Hug the girls, leggings even those that could be avoided ... okay, nothing to do with Twin Peaks.
meant the atmosphere, is well, 'in reality' did not kill Laura Palmer No, in fact I like to think so ', after all live in a cemetery stimulates the imagination.
The boys are Polish kebab shop, I do not think there are more immigrants here.
While I was preparing a sandwich, with the slowness and the face of two back in the closet that had just smoked a clump of grass, the more 'extrovert he says, in English and finally' worse than me:
"We moved here about six months ago, it feels good, go to the pub after a while, 'you know all. "
I say: "Really?", From the moment the inhabitants of Twin Peaks seem very reserved.
answers: "Well, 'we did not ever go' cause we work at that hour, but 'yes. When they are drunk they all come here for a kebab."
I say, 'Ah, he thinks. "
It takes three days to digest their kebab.

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LIVE TO EAT BUBBLE CHAIR

What centered design with multi-sensory communication?

In fact, it is the design, the most modern communication that creates emotional involvement the individual, or by involving the five senses through the use of special materials, light or colors and original lines. Of course, the multi-sensory communication is also in the design objects of daily use, and not only in the design of large rooms.

An example is applied to objects chair 543 Broa dway designed by Gaetano Pesce and present the exhibition "The noise of time" , presented at the Milan Triennale . Through the use of materials wings Special chair change color touch : sitting down, the heat produced by the body, changes the color of the chair in different shades.

And regarding the participation of the senses in 'use of the design, Gaetano Pesce says

"After centuries of visuality as the main way, it now shows its limits. We need an urgent sense of using all our senses . That's why the architecture should 'reach' through smell, touch (its elasticity should be similar to the human body) and hearing (we should be able to hear while we travel). At the level of objects, express the same hope. In addition, objects can touch the taste the flavors. "

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Selectiva Spa The case company's business is relevant to the topics covered in the blog because it shows the development of a strong and valuable brand image by using a innovative packaging able to attract consumers' attention by the senses, such as sight, smell and touch.

With its line of bath products Aquolina, the company has managed to create a new market niche within the field of perfumery and products bathroom.

Exploiting a trend born in England in the mid-nineties, has transferred Aquolina what has been called the universe " gourmet - cooking "(roughly translated as delicacies

kitchen) in the field of cosmetics, fragrances and creating products that consistently inspire the world of pastry and cuisine in general and thus creating the potential for international success.

In just four years, in fact, Aquolina has been proposed as a new protagonist of the Italian cosmetic, transmitting attractive and unique brand values \u200b\u200b through a original packaging, and highly communicative, who managed to win a place in the hearts of consumers, offering n ew horizons sensory for cosmetics and creating a sense of belonging, involvement and loyalty brand.